S.M. Douglas

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Year: 2014 (page 2 of 4)

This week marked the ten year anniversary of the beginning of one of the all time great TV Shows: Lost. On September 22, 2004 the Lost pilot episode blasted across our screens with the crash of Oceanic Flight 815 and stunning Hollywood movie level production values that drew in nearly 19 million viewers.

To this day many believe that it was Lost that ushered in the Golden Age of Television that we still find ourselves, enjoying a wealth of high quality dramas and top notch acting. In addition Lost may have been one of the first shows to really take advantage of social media and see the conversation around the show, including debates about its intellectually stimulating plot, characters, and science fiction elements, rise to a level almost equaling the actual viewing experience.

Never in my life have I enjoyed a TV show as much as Lost, and that is saying quite a bit with my all time favorites including such shows as Game of Thrones, The Americans, American Horror Story, The Soprano’s, True Detective, and so many more completely worth our collective time. But it was Lost that provided me with endless moments I simply cannot nor will ever forget: the raft launch, the deaths of Sun/Jin, the VW bus, Sawyer telling Jack about Christian, the endless butting of heads between Jack and Locke, anything with Ben Linus, the Hatch, the button, and perhaps the show’s three greatest scenes from 3rd to 1st as follows:

3.) The revelation Locke had been in a wheelchair:

2.) The Death of Charlie:

1.) The best scene from perhaps the best Lost episode ever: “The Constant” where Desmond and Penny sealed their place in our hearts:

Thoughts on The Recent Godzilla Movie

In May I, like many others, ventured out to the local movie theater to watch the latest incarnation of Godzilla. I’ll be honest, I initially enjoyed the movie. In fact Gareth Edwards created a wonderful film. It was thoughtful, the beginning of the film featuring Bryan Cranston, playing American engineer Joe Brody at a nuclear power plant in Japan, offered a particularly interesting lead in to the Godzilla concept. A genuine sense of both personal loss and climactic foreboding pervaded the film’s first half hour. In short, and unlike so many other Hollywood blockbusters it offered a real story.

Now, this does not take away from decent size plot holes in the film, and a somewhat bland generic feel to the protagonist (played by Aaron Taylor-Johnson), Joe Brody’s navy officer son Ford. However, the supporting cast beyond Cranston is quite solid and generally the acting is not the issue with the film, nor is the plot, neither is the special effects (which were spectacular), or the attempt to link the film to very real underlying themes of the threat posed by nuclear power (much as did the first Godzilla of sixty years ago), and man’s general impotence in the face of nature. As such I walked out of the theater that Saturday late spring afternoon feeling that all in all it wasn’t a bad movie….but for one nagging problem that at the time I was willing to put aside.

Fast forward to two weeks ago. I was on a flight home from Europe. After six hours of reading and whatnot I was looking for more of a distraction for the last hour and a half of the flight. It wasn’t enough time to watch a movie I had not seen (something I did on the way there the week before – if you have not seen Snowpiercer do so – it is probably the best original Science Fiction film since District 9). But it was enough time to cue up something I had enjoyed enough on a previous viewing. Hence I picked Godzilla. And an hour and a half later and with the numerous interruptions provided by the pilot announcing one thing or another about our impending landing what had I seen? A significant chunk of a movie named Godzilla without seeing hardly anything of the actual Godzilla. And that my friends is the biggest problem with this film.

The fight scenes between the monsters or the monsters and the military, when they do happen, are spectacular.

Godzilla_2014_Image_San_Fran_Bay

But they are so brief in time, even the final battle is not more than a couple of minutes, that the movie commits perhaps the cardinal sin of a reboot of a popular franchise. It sidelines the very reason anyone is watching the movie in the first place: that being Godzilla himself. I get that the director, Gareth Edwards, wanted to offer a tribute to the first great Godzilla film, but that’s just it; this isn’t the first time anyone has seen Godzilla. It’s the thousandth time. Thus, any new Godzilla film better have Godzilla. Especially one as terrifying as the monster Edward’s team came up with; undoubtedly the finest rendition of any Godzilla – ever.

Godzilla_2014_Image

Thus the film serves as a cautionary warning. If you are going to make a monster movie, don’t forget the monster.

Richard Kiel “Jaws” Dies at 74

Richard Kiel, famous for his role as the James Bond villain “Jaws” in the 1970’s Bond films The Spy Who Loved Me and Moonraker has passed away just a few days shy of his seventy fifth birthday. The 7 foot 2 inch actor was born in Detroit Michigan in 1939. Though he appeared in a number of other films and television shows his role in the James Bond films will forever be remembered. the-spy-who-loved-me-jaws-richard-kiel

Last week was the Discovery Channel’s infamous “Shark Week”. First off, I am an avid scuba diver, and have completed 50 open water dives since I started diving at age 18 way back in 1991.

In addition, my interest in diving and thus the ocean and all that swims in it stems in no small measure from the Movie “Jaws”. Perhaps my all-time favorite film I, much as the character Matt Hooper describes during the film, saw something at a young age that should have scared me out of the water but instead sent me running with fascination into the ocean any chance I got. So you would think that I love “Shark Week”; and I do, but…..

I know “Shark Week” is bigger than ever, but why oh why Discovery Channel do you have to puff your annual line-up with utter bullshit when the real thing is so much more fascinating. Furthermore, why do you have to quote scientists out of context to imply something that is simply not true when again, the actual material you can cull from is that much more interesting.

Many before me have shown why the Megalodon series of specials from Shark Week 2013 and last week’s new Megaladon specials would have been perfect for the Sci Fy Channel but not Discovery as each was totally bogus, but to make it worse Shark Week 2014 also included the equally false Shark of Darkness: Wrath of Submarine – which was also a pack of lies/fake documentary.

Other examples of obfuscation or outright lying occur in episodes such as the “Alien Sharks: Return to the Abyss”. This was an otherwise well done episode that attempts to get on film deep sea sharks rarely seen by the viewing public. However, Shark Week states several times over that this was all part of an expedition to the Southern Indian Ocean for only this purpose. Then at the end of the episode there is a claim that they “saved” 100 sharks. Saved from what? Were they actually on a working fishing boat? Would the sharks have died if they hadn’t dragged them up from the deep, unduly stressing their systems, and then thrown them back? Or would the sharks have been better off just filmed down deep, as other scientists now do and which was acknowledged as the preferred modern method of research by another scientist quoted in the episode?

In addition, Shark Week makes incredibly odd decisions when they often find compelling content but gloss over it in lieu of somewhat random programming. For instance, in “Jaws Strikes Back”, regardless of the title, there is some really good stuff involving scientists using underwater drones and attempting to document how a Great White Shark hunts elephant seals in deep water. In the course of this episode these scientists manage to tag and film the largest great white shark ever seen alive on film; a massive, pregnant female of some 21-22 feet in length as seen below:

Considering that the fictional “Jaws” was 25 feet in length this coup is the closest anyone has ever come to getting the real thing on camera. And what do they do with this opportunity? Turn it into about 5 minutes of screen time in a 47 minute episode (after stripping out commercials). Really? The biggest white shark ever filmed and you only spend 5 minutes on it? For chrissakes get a clue! How many viewers would have gobbled up an entire hour of little more than watching this huge fish swim around? What is all the more perplexing is that the episode “Lair of the Mega Shark” spends an entire hour searching for an 18 foot great white when they already have found a much larger shark off the coast of Baja California.

Another example of this phenomenon of ignoring TV gold when it is right under your nose takes us back to “Alien Sharks: Return to the Abyss”. In one small scene of no more than 30 seconds the Thresher Shark is mentioned, and briefly shown; with a comment on how the Thresher Shark uses its unusually long whip like tail to herd and stun prey for consumption. How about an episode on that? Has anybody ever filmed Thresher’s actually hunting? They seem like and look like fascinating animals, lord knows I love Great Whites, but wouldn’t it be nice to profile even more of the over 350 species of known shark? Especially big visually captivating one’s like the Thresher?

And therein is the dilemma that is Shark Week. It offers up copious servings of odious and misleading content about fictional or extinct animals alongside some really groundbreaking and intriguing actual science; all while managing to fail to exploit situations when something of tremendous interest is caught on film or raised by its almost throw away presence in a larger episode. Luckily there is DVR. Informed viewers who actually know something about sharks can easily skip over the worst of Shark Week and peruse the other episodes for occasionally jaw dropping footage of our favorite animals. And that is why I will be recording and watching a good chunk of “Shark Week 2015” when it rolls out next year.

In the meantime, and if like me you find what is real in this world to be even more exciting than what is fake, please let Discovery know when they do something right and when they do something wrong. You never know, by “Shark Week 2050” we might even have top notch visual and educational programming all rolled into one. And if we get to jonesing for something fake and silly there will always be “Sharknado 37″ or “Megalodon vs. whatever” on Sci Fy.

 

As many of you know by now, Robin Williams died yesterday at age 63 (apparently suicide being the cause of death).

My first exposure to his work was via the TV Show Mork & Mindy. From there, and though Mrs. Doubtfire gets so much attention, three of my favorite performances of his were in Good Morning Vietnam and of all things, two of his darker roles; in the 2002 films Insomnia and One Hour Photo. In addition I would be utterly remiss to ignore the 1980 film Popeye, in which he played the titular character. The movie was in heavy rotation on HBO and was a staple of my childhood.

Rather than go into a long introspective piece on the greatness that was his particular brand of comedy I would like to show you some examples of why he was such a riveting entertainer:

 

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