Earlier this year the recently disgraced Elon Musk sent a rocket into space. Readers of my werewolf horror novel Apex Predator know that I like to explore the ramifications posed by concentrated power running wild on Earth (no less in space).
Perhaps it is no surprise then that the launch of SpaceX’s latest reminds me of one of my favorite films. A film that influenced my fear of untrammeled power in a corporate context. A film that also happens to be in part about the dangers posed by the privatization of space by corporate entities.
Perhaps my fellow horror and science fiction friends know what movie I am talking about…
When we think of a genre of books or films that include a message about social and political issues science fiction often crops up. As well it should.
Gene Roddenberry’s Star Trek (and its progeny) is widely praised for this reason. However, it is of course far from alone in this regard. Nevertheless, many people frequently dismiss horror. This is in spite of the reality that horror offers a great way of exploring contemporary issues within our society.
Leveraging horror in such a manner is something I very much tried to do with my werewolf novel Apex Predator (https://www.amazon.com/Apex-Predator-S-M-Doug…/…/ref=sr_1_1…). In that regard I am far from the first. Among my influences is Whitley Strieber – the author of one of the all-time great “werewolf” books:
I’d like to give a hat tip to Sir Graves Ghastly and provide some Detroit horror history for readers of my werewolf book Apex Predator.
In the book one of my characters mentions growing up with an eerie Led Zeppelin themed TV show featuring a horror movie of the week. Readers who are not from Detroit often ask if there really was such a thing – and there was!
From 1967 to November 1982 the horror show Sir Graves Ghastly ran virtually every Saturday afternoon on WJBK Channel 2 in Detroit. By the way, the show’s host (pictured here) was none other than Sir Graves Ghastly himself! Played by actor Lawson Deming (R.I.P. 1913-2007) Sir Graves may be Detroit’s all-time favorite vampire – a man known for hamming it up like no other.
Though Sir Graves Ghastly also ran in Cleveland and Washington D.C. the Detroit market provided it’s strongest ratings. That is until College Football proved to be the vampire’s undoing. When the chance arose to write my novel I couldn’t resist sprinkling it with references to my favorite horror influences – including Sir Graves Ghastly.
I’m still working my way through this year’s edition of shark week. Other than the Phelps fiasco (why must you start each season of Shark Week with such schlock, Discovery Channel), most of the episodes are quite good. I loved the early attention given to the Great Hammerhead, Mako, and Porbeagle Sharks. As I have commentedbefore, recent seasons of Shark Week overall have been trending toward educational over sensationalism. That’s good – keep it up.
From there, and with sharks on the brain, I had no problem saying ‘yes’ when one of my friends asked me if I wanted to see Jaws at the local small-town theater. Of course I loved it (my all time favorite movie) but I also loved the experience. This fifty-plus-year old theater not only put actual butter on the popcorn but the ticket cost only three bucks – you can’t beat that! It was heartening to see quite a few teenagers and millennials in the packed theater. It’s great to know there’s a new generation of fans. Needless to say, Jaws was a huge influence on my life and my writing (with a certain police chief providing much of the inspiration for one of the leading characters from my werewolf book Apex Predator).
What’s amazing is that even though I’ve seen the movie probably a hundred times on TV – it makes such a huge difference seeing it on the big screen. For instance, I just noticed that it was Old Spice Brody was dabbing on his handkerchief when he was chumming off the stern of the Orca. Or that Charlie’s ferry charges extra if you use it between 7pm and midnight – according to the sign in the background you can’t really read on TV and as seen in the film (when Brody is asking Charlie to take him over to the boy scouts and get them out of the water).
What a great movie. What a great experience. And yes, I saw Dunkirk at the IMAX big chain theater the week before (a solid effort with almost no CGI, real WWII aircraft and equipment, and some fantastic dog-fights between Spitfires and Me-109s). However, just like I support local used and new bookstores I also try and support the small town theaters that add so much to a community. I’m sure there’s quite a few of you who would agree.
BTW – if there’s anything in Jaws that didn’t catch your eye until recently please let me know. Otherwise, enjoy the behind the scenes movie pics I included with this post (and if you have any good one’s then please share).
Over the past few years I haveoftendiscussedmygreatestinfluences as a writer in the horrorgenre. This week I would like to discuss another one: an oft neglected TV show entitled In Search Of. Airing from 1977 to 1982, In Search Of was narrated by the regrettably now deceased Leonard Nimoy, In Search Of proved not only entertaining – but also surprisingly scary. Especially for young children at that time, such as myself. I loved the show (particularly it’s first few seasons), so much that I couldn’t resist finding a reason to briefly mention it in my new werewolf novel Apex Predator.
Whether consciously or not writers often interject aspects of their own personality into their characters. Though I didn’t shape my novel’s protagonist nor the other characters upon myself, there is a bit of me in each of them. Before anyone says anything about the villainous Jimmy Donnelly, please don’t worry. I’ve never done anything remotely approaching the savagery unleashed by that character’s particular appetites. However, parts of my past show up in other characters; including the book’s protagonist – William Brody.
During Apex Predator’s first act Brody is investigating a gruesome murder that happened in the same metropolitan area where he grew up. There is a forest bordering the suburban neighborhood where he was raised; and this forest had an impact on his character’s development, as it did on mine. As a child I spent countless hours in that forest and in front of the television. During those years the forest taught me something, and at times the lessons it taught inspired me to become a horror novelist. One of those instances occurred when my childhood best friend and I swore we found Bigfoot prints in the mud along the tree line. Now, where do six year old’s get such an idea? Why, the television of course.
Some of you might remember that it once seemed as if Bigfoot was everywhere. In Search Of spoke of him; the Six Million Dollar Man fought the creature; and the Saturday afternoon horror special’s eerie Led Zeppelin scored intro all too often led into another showing of the Legend of Boggy Creek.
In Search Of’s creepy take on the beast might have been the scariest. The first three minutes of Season One’s Bigfoot episode led to several nights of nightmares for my young self. Those minutes reenacted a Bigfoot attack on some miners in the Pacific Northwest. The rest of the show (included below) isn’t bad, but I encourage you to watch at least those initial scenes. Try and overlook the show’s groovy title music. Consider what a young child who watched the episode might have been thinking the next day when he or she ventured into the woods. What might that child have been imagining was also out there in the trees – watching and waiting for a chance to strike:
This is the home of author S.M. Douglas. Although I enjoy writing about horror, I also love to discuss random items of popular culture. My hope is that you treat your visits as an opportunity to discuss with others those aspects of horror, science fiction, comic books, and so much more – even including the creative process as an artist and author.
Thoughtful contributions are not just welcomed, but encouraged, including via articles, book and other media reviews. So please do join me as I look forward to your participation.
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