I’ve said it before and I’ll say it again – real special effects still beat CGI when it comes to werewolves. Rob Bottin’s beasts in the original 1981 Howling are my favorite.
Regardless, here are several behind the scenes shots from the aforementioned Howling.
Anyway, from one werewolf creator to all the others out there I say this – More real effects please!
I love castles. I also love werewolves. Combine the two and…it should be magic. But why isn’t it? I can only think of two films in the past forty years that includes a prominent werewolf and castle dynamic. These are Howling V (in 1989) and Underworld: Rise of the Lycans (in 2009).
The original Howling is my all-time favorite werewolf movie. The sequels – not so much. I say this with all due respect to Christopher Lee and Sybill Danning, who appeared together in Howling II. I still don’t know how the writer/director couldn’t have figured out a way to use those two better. That said, Howling V was a game effort; just not what could have been. As for the Underworld series…I found the the first three enjoyable – albeit more as action movies than true horror films.
If anyone knows of any good werewolf/castle combo’s in any media form then I would love to get some viewing or reading recommendations!
By the way, for those of you who haven’t read my book Apex Predator note that a medieval European town and its imposing castle (set in the modern era) are one of the key settings.
I even had the artist I hired use the castle as part of the book’s cover!
Since Apex Predator (https://www.amazon.com/Apex-Predator-S-M-Doug…/…/ref=sr_1_3…) was published last year I get questions regarding the inspiration for the look of my book’s werewolves.
My usual response is Bernie Wrightson’s beasts from “Cycle of the Werewolf” or Rob Bottin’s werewolves from the original “Howling” movie.
However, here’s some lesser known artist’s work that also inform the shape and form of my favorite beasties. Enjoy! And, yes I included one of Bernie’s werewolves – I can’t help it, the guy’s a legend!
One of the things I love about being a horror author is getting to interact on social media with fans, friends, and peers. In particular, I have more great discussions about all things werewolf there than I have since I was in junior high – debating with my friends whether a werewolf could beat The Terminator or an Alien, and other such fun topics.
A few weeks back I put up on Facebook a post I did several years ago when I initially started my Random Pop Culture blog (that has since been absorbed here into my author website). The post is about the best werewolf transformation scenes of all time.
That generated quite a bit of discussion, including yesterday from one commentator who made the point that “Transformation shouldn’t be THAT painful and slow, they should just morph into a werewolf without all the drama that would bring too much attention to the transformation.”
This is a valid point, and I do not at all want to be dismissive of the commentator’s viewpoint. However, I believe it is wrong. The following explains why.
To start, check out my original post, where I have embedded the transformation scenes engineered by Rob Bottin for The Howling and Rick Baker for American Werewolf in London. If not interested in the AWIL transformation scene then read on for The Howling’s. That post was part of a series I had done exploring why The Howling (the original 1981 movie) proved such a great addition to the werewolf genre.
One of those big reasons for The Howling’s success as a genre altering film came from it’s treatment of the transformation scene:
Before The Howling the classic werewolf movies tended to show the transformation scene as something upsetting to the shape shifting human, but not incredibly uncomfortable. To wit, check out the transformation scenes in two all-time werewolf classics (1941’s The Wolfman and 1943’s Frankenstein Meets The Wolfman – ground-breaking in their own right and for their time) that established what would become the key element (dare I say “money shot”) of any werewolf film:
Now, let’s return to the comment regarding why it is the transformation scenes have to be that painful. The answer is simple and two part.
First, for the transformation scenes to not jar the viewer from the state of suspended disbelief that allows them to enjoy the movie (or for that matter the reader with a book) – the scene must seem real. What I mean is this; take Mr. Eddie Quist of The Howling. He might have been all of 5’10” and maybe 165 pounds. Yet, in a few minutes he alters into a seven plus foot tall several hundred pound werewolf.
Those breaking and reforming bones, dramatically stretching muscles, skin, claws popping through fingertips, and other such changes aren’t just painful – they would be excruciating. For comparative purposes look at the pain a woman goes through pushing a baby down her birth canal. This is a process orders of magnitude less transformative in reshaping the relevant body parts, but involves hours of pain the likes of which most men can’t imagine. For my male readers who would like to imagine – envision trying to crap out a bowling ball and think of what that would do to your ass. For weeks afterward you wouldn’t even be able to pass gas without having to change your shorts.
Second, by portraying the transformation into a werewolf in such wrenching physical terms the author or director is explicitly linking that change to the werewolf’s enormous hunger that must be sated – and now! This is a key component in establishing why it is the werewolf is such a ravenous monster. This thus makes the werewolf movie more believable, and thus fun. Imagine how hungry you are after running a 10k or lifting serious weights for an hour or so. If you think that stokes your metabolism, honey I’ve got news for you – it ain’t nothing like what a werewolf goes through. Most serious artists in the genre agree. I will leave you with the last big-budget Hollywood werewolf movie and it’s transformation scene. The Wolfman remake from a few year’s back:
Though I am not particularly fond of remakes, or “reboots” in today’s vernacular, note how different this transformation scene is from the original Wolfman – not just technically but emotionally.
I hope I’ve answered my questioner who stated his belief that transformation scenes shouldn’t be so painful. To be fair his original comment added the qualifier “so” – and perhaps there we can find a common ground. Does it need to take three minutes? Maybe not. Should it take longer than thirty seconds? Hell yes. Nevertheless, I obviously tend to agree with the Rob Bottin, Rick Baker school of transformation scenes – as can be attested by readers of my new novel Apex Predator.
Last week, and in honor of the gift giving season, The Howling began my countdown of the top three werewolf books. Coming in at number three The Howling also has the distinction of being perhaps the finest werewolf movie made in the past thirty plus years – though the movie and book are almost nothing alike. This week, and as promised, I reveal number two on my list of all-time werewolf books: The Wolfen.
As with my discussion of The Howling I will begin with my choice of cover for the image accompanying this little review. This is a task far more complex than it may seem given there are at least a half dozen different book covers for the various editions. Don’t believe me? Google it. Then try to pick your favorite cover. Good luck by the way, I think most of them kinda suck. So I took the easy road and went with the cover on my edition of the book. I picked up this edition in a used book store in my hometown back in the mid 1980’s. As you can see here this edition came out not only well after the book’s original publication date of 1978, but also was knee deep in promoting the movie that subsequently came out in 1981 (and that like The Howling often finds itself in top ten werewolf movie lists). Now, considering I can already hear many readers gnashing their fangs at my inclusion of this book at number two on this list, on to the big fat elephant in the room…..
The wolfen are not werewolves.
I don’t care. Buy the book.
If you are into werewolves as vehicles for scaring your pants off then you will almost assuredly find these creatures quite terrifying. We can debate this point until the next time the moon is full – and if you must know, and I hope you must, that is on January 4, 2015. So if you want to argue the merits of including in this list a creature that has nothing to do with shape-shifting then be my guest. I look forward to your emails, comments, tweets, or whatever. And for those would be debaters out there please read the book first.
Penned by the enigmatic and eccentric talent Whitley Strieber…. Don’t just trust me on those descriptors; look it up. Strieber has created an entire conceptual framework for understanding our place in the universe, and he is not afraid of sharing those ideas. Okay, now back to the book, and an important question I am confident is driving you mad by this point. If it’s not a werewolf book then what the heck is The Wolfen about?
The wolfen are a race/species of highly intelligent and evolved predators that at some point thousands of years ago broke free of the canine evolutionary tree to create their own branch. And yes Virginia, if you were wondering they are not just any kind of predator; they prey on humans. Up until one rainy late 1970’s day in New York City the only non-Native American humans aware of that get slaughtered by the wolfen before they could do anything about their new found knowledge. Oh what fun!
In choosing to craft his creatures as a scientific and thus logically explainable part of nature’s evolutionary process Strieber accomplishes two things of particular note. First, he turns the werewolf genre on its head. Second, he ramps up the stakes for future horror writers seeking to create enough plausibility for their creations to not only suspend reader disbelief, but do so in such a way that leaves readers all too often waking up in a cold sweat in the middle of the night. This is of course what every horror writer wishes for, but there are a number of ways of getting to that point. I happen to think Strieber did a good job with the tools he chose for entertaining his readers.
It is in bringing together Strieber’s subversion of the werewolf genre, and his chosen method of suspending disbelief in his readers, that we get to the real genius of this short (250 plus page), fast paced book. Traditionally the werewolf is a human who is cursed, bitten, or what have you; and becomes a monster that eats people. Part of what makes the werewolf such a formidable and terrifying adversary is the stealth factor (after all how do you know who a werewolf is until they change). Another part is the concept of taking the human mind and letting it direct a powerful body in all the myriad ways a higher intelligence can wield truly awe inspiring physical capabilities. As much as that last sentence explains the werewolf it also explains the wolfen.
As for the whole cursed, bitten concept – i.e. the supernatural aspect of a werewolf – there is nothing wrong with this per se. After all my number three book on this list essentially has an occult explanation for its werewolf genesis. As does a novella that barely missed this list (Stephen King’s Cycle of The Werewolf – to be honest another must read, but because of its brevity not up to the depth of an entertainment experience provided by my top three). Here Strieber eschews such an approach by taking a fascinating walk through the wolfen’s evolution. This walk is memorialized by Strieber through a series of scenes involving scientists and researchers at the Museum of Natural History, via exploring library archives, and through the wolfen’s point of view descriptions of their remembered history. These scenes provide not only a plausible explanation for where the wolfen come from, and a visceral thrill for any researcher and lover of books, but also leverage the legend of the werewolf as humanity’s way for trying to understand attacks that in fact had been all along made by the wolfen. It is for these reasons, and not that the wolfen are wolf-like creatures, putting this book on my list. One could argue otherwise but I believe The Wolfen fits in with the werewolf genre, and not part of a more generic scientifically created creature feature listing that would include works by Dean Koontz (Watchers) or Michael Crichton (Jurassic Park) – as an aside do note that both are superb books far superior to their movie versions.
Going beyond all of the above what else is it about The Wolfen that ranks it among the best werewolf books? That’s easy. The book is freaking scary. If you have ever wondered how awful it would be to be hunted by a pack of relentless, motivated, lethal creatures then this book is for you. If you have ever wondered what it would mean to have no hope of reasoning your way out of or otherwise escaping a confrontation with creatures anxious to rip your body to pieces and consume every part of it then this book is for you. Regardless of the book’s other strengths it does a superb job of conveying the horror of being trapped in a big city, surrounded by people, yet having no one to turn to; and thus on your own facing the most implacable and ruthless foe you could imagine.
The book’s protagonists, two cops stumbling upon the wolfen’s existence, are marked and hunted from almost the first moment they begin to understand what they are facing. Strieber repeatedly ramps up the tension as his wolfen circle ever closer to their most important kill. I read this book as a teenager and had nightmares for days afterward. Even as an adult re-reading it I still got jumpy. If this book doesn’t get your heart pumping I don’t know what will.
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