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Richard Kiel “Jaws” Dies at 74

Richard Kiel, famous for his role as the James Bond villain “Jaws” in the 1970’s Bond films The Spy Who Loved Me and Moonraker has passed away just a few days shy of his seventy fifth birthday. The 7 foot 2 inch actor was born in Detroit Michigan in 1939. Though he appeared in a number of other films and television shows his role in the James Bond films will forever be remembered. the-spy-who-loved-me-jaws-richard-kiel

Last week was the Discovery Channel’s infamous “Shark Week”. First off, I am an avid scuba diver, and have completed 50 open water dives since I started diving at age 18 way back in 1991.

In addition, my interest in diving and thus the ocean and all that swims in it stems in no small measure from the Movie “Jaws”. Perhaps my all-time favorite film I, much as the character Matt Hooper describes during the film, saw something at a young age that should have scared me out of the water but instead sent me running with fascination into the ocean any chance I got. So you would think that I love “Shark Week”; and I do, but…..

I know “Shark Week” is bigger than ever, but why oh why Discovery Channel do you have to puff your annual line-up with utter bullshit when the real thing is so much more fascinating. Furthermore, why do you have to quote scientists out of context to imply something that is simply not true when again, the actual material you can cull from is that much more interesting.

Many before me have shown why the Megalodon series of specials from Shark Week 2013 and last week’s new Megaladon specials would have been perfect for the Sci Fy Channel but not Discovery as each was totally bogus, but to make it worse Shark Week 2014 also included the equally false Shark of Darkness: Wrath of Submarine – which was also a pack of lies/fake documentary.

Other examples of obfuscation or outright lying occur in episodes such as the “Alien Sharks: Return to the Abyss”. This was an otherwise well done episode that attempts to get on film deep sea sharks rarely seen by the viewing public. However, Shark Week states several times over that this was all part of an expedition to the Southern Indian Ocean for only this purpose. Then at the end of the episode there is a claim that they “saved” 100 sharks. Saved from what? Were they actually on a working fishing boat? Would the sharks have died if they hadn’t dragged them up from the deep, unduly stressing their systems, and then thrown them back? Or would the sharks have been better off just filmed down deep, as other scientists now do and which was acknowledged as the preferred modern method of research by another scientist quoted in the episode?

In addition, Shark Week makes incredibly odd decisions when they often find compelling content but gloss over it in lieu of somewhat random programming. For instance, in “Jaws Strikes Back”, regardless of the title, there is some really good stuff involving scientists using underwater drones and attempting to document how a Great White Shark hunts elephant seals in deep water. In the course of this episode these scientists manage to tag and film the largest great white shark ever seen alive on film; a massive, pregnant female of some 21-22 feet in length as seen below:

Considering that the fictional “Jaws” was 25 feet in length this coup is the closest anyone has ever come to getting the real thing on camera. And what do they do with this opportunity? Turn it into about 5 minutes of screen time in a 47 minute episode (after stripping out commercials). Really? The biggest white shark ever filmed and you only spend 5 minutes on it? For chrissakes get a clue! How many viewers would have gobbled up an entire hour of little more than watching this huge fish swim around? What is all the more perplexing is that the episode “Lair of the Mega Shark” spends an entire hour searching for an 18 foot great white when they already have found a much larger shark off the coast of Baja California.

Another example of this phenomenon of ignoring TV gold when it is right under your nose takes us back to “Alien Sharks: Return to the Abyss”. In one small scene of no more than 30 seconds the Thresher Shark is mentioned, and briefly shown; with a comment on how the Thresher Shark uses its unusually long whip like tail to herd and stun prey for consumption. How about an episode on that? Has anybody ever filmed Thresher’s actually hunting? They seem like and look like fascinating animals, lord knows I love Great Whites, but wouldn’t it be nice to profile even more of the over 350 species of known shark? Especially big visually captivating one’s like the Thresher?

And therein is the dilemma that is Shark Week. It offers up copious servings of odious and misleading content about fictional or extinct animals alongside some really groundbreaking and intriguing actual science; all while managing to fail to exploit situations when something of tremendous interest is caught on film or raised by its almost throw away presence in a larger episode. Luckily there is DVR. Informed viewers who actually know something about sharks can easily skip over the worst of Shark Week and peruse the other episodes for occasionally jaw dropping footage of our favorite animals. And that is why I will be recording and watching a good chunk of “Shark Week 2015” when it rolls out next year.

In the meantime, and if like me you find what is real in this world to be even more exciting than what is fake, please let Discovery know when they do something right and when they do something wrong. You never know, by “Shark Week 2050” we might even have top notch visual and educational programming all rolled into one. And if we get to jonesing for something fake and silly there will always be “Sharknado 37″ or “Megalodon vs. whatever” on Sci Fy.

 

T.R. Witcher has a thoughtful new piece up on The Atlantic offering a number of key metrics for a good movie showdown. In particular he keys in upon elements he defines as “Anticipation, The Weight of the Moment, Vulnerability,  Tangibility, and The Iconic”. Witcher singles out as especially notable in conveying these elements several great showdowns. These include the light saber fight between Luke and Vader in Empire Strikes Back:

And the first fight between Bane and Batman in the Dark Knight Rises:

In both of the above instances he is most certainly correct. To that end he also offers up several other salient examples, and even contrasts where one fight did well in a particular franchise (for instance Neo’s climactic battle with Agent Smith during the Matrix) against others that missed the mark (Neo’s overdrawn fight against Agent Smith in Matrix Revolutions). Witcher ranges back into the 1960’s and work done by Sergio Leone in his superb Once Upon a Time in the West, or in terms of 2001 A Space Odyssey’s fight between the homicidal computer HAL and astronaut Dave Bowman. And as Witcher continues on, offering up example after example of great fight scenes (Ripley vs. the Xenomorph Queen in Aliens, Paris vs. Menelaus in Troy) he regrettably undermines a key component of his arguments. That being that such exemplary fight scenes are rare.

In point of fact classic showdowns are something that Hollywood actually and regularly does a good job of manufacturing. And yes there are the occasional bombs as rightly pointed out by Witcher vis a vis the final Harry Potter battle against Lord Voldemort,  or the lamentable final battle in the Avengers Movie. But overall there are so many more that actually work. Right off the top of my head, and staying within the genres identified by Witcher (i.e. avoiding boxing movies like the classic Rocky I and Rocky II showdowns between Rocky and Apollo Creed), one can single out numerous other examples such as the following:

Qui-Gon Jinn & Obi-Wan Kenobi vs. Darth Maul in The Phantom Menace (just to be clear I despised this movie, but the final light saber fight is one of the best of any Star Wars film):

Sarah Connor/Kyle Reese vs. The Terminator:

Riggs vs. Joshua Lethal Weapon:

Maximus vs. Commodus Gladiator:

William Munny vs. Little Bill Unforgiven:

Brody vs. The Shark in Jaws

Frank Dux vs. Chong Li Bloodsport

And I can go on and on….I could add at least twenty more clips if I did nothing but Clint Eastwood Westerns and Martial Arts films no less 1980’s action films, modern Science Fiction/Fantasy, or even Television such as The Game of Thrones  (Brienne vs. The Hound to name just one) Thus, in conclusion I will say Witcher wrote a fun article with some sound metrics for measuring a great movie showdown, but to say that such things are rare….well that is another story.

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